The work can also be dry-mounted using the reversible process mentioned above. Cut 38 inch spacer strips that will join silk and artwork from a supported colored rice paper.
Aftermath Asusual 2015 Charcoal On Rice Paper Pasted On Mount Board 20 In X 30 In Working Drawing Drawings Painting
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. You can also attach photo strips or corners on the back of the mat more detail in non-adhesive methods and slide in your art. If a work is wrinkled its possible to lessen those wrinkles by putting the paper under a dry-mount press. - Display your artwork properlyRice paper is flexible and easy to carry out a magic artistic feature.
The first thing you have to do is mix white glue with water. Mounting Process on the Mat Window. Place the exposed side of the sticky film on the back of the rice paper.
It is made from wheat starch and is widely used because its easy to make easy to store and archival. I want the colour of the mountboard to show through the rice paper so the dry mount media must be as transparent as possible. It is best to write or paint on rice paper slightly larger than the desired finished size of an artwork so you can trim it to size during the mounting process.
Trim the supported artwork square starting from narrowest margin. Mounted on Silk Brocade. My concern is what would be the best dry mount media to use for this.
Float mounting rice paper. Im hoping to dry mount some very thin 26 gsm rice paper onto mountboard. Flip the artwork over carefully align the mat board on top and gently press down.
Start in one corner and slowly adhere the film to the rice paper with your hand. How you attached it is the question I. You can wet the sheet of paper in order to give it a more natural look.
Its important to wipe the surface with a dry cloth so that theres no water left on it. Itll look similar to this. This is what you use to attach the paper.
Wipe off a flat work surface with a clean rag. Cut the glue paper to size it should be the exact same size or slightly smaller than the painting you wish to mount. The process of silk brocade mounting put in a nutshell consists in pasting a sheet of unrefined rice paper at the back of the picture.
Then we press it. Since sumi-e ink paintings or any sort of painting on rice paper warp the surface and create waves they can be quite complicated to frame. The fragility of the paper is also something to take into consideration and requires a special technique that wont tear the painting.
Find a clean mirror bigger than the size of your. With the artwork facing down glue 13 of the spacers to the back of art work starting from sides. Between the environment and the work of art.
I suppose your problem will be attaching it to a board to float mount it. You will obviously need to use a white conservation board as a backing cut at least 5mm short all the way round and attach it with probably mulberry paper as this is probably the most translucent tape. When a work comes to us rolled up we unroll the paper and let the paper relax.
Remember to only tape the top edge. It is often erroneously called rice paper or. Art Frame Outlet 3261 Waccamaw Blvd Myrtle Beach SC 29579 843 236-4370.
Then silk brocade of a matching color is pasted all round the picture to form a border. Mounting on Silk Brocade is the basic for framing with wood. Japanese Paper Hand- or machine -made bast fiber paper typically made in Japan used in conservation because of its strength suppleness and stability.
It is stronger than a vegetable paste methyl cellulose and is typically used on larger thicker and heavier artwork. However the raw rice paper artwork is not ready for dis. The paper is fairly transparent and includes some random silk threads.
Take the supported silk to paper board to dry. Put your rice paper down with the back of the work of art facing toward you. Next apply the mixture to the surface of the box using a brush.
Wheat paste is one of the time proven archival materials used by fine art conservators to adhere Japanese paper hinges. Peel off one side of the paper backing from the mounting film. Now carefully turn both the artwork and mat board over and add another strip of linen tape perpendicular to the first piece near the edge of the artwork to create a t-hinge.
In printmaking because of its softness absorbency and dimensional stability. The most simple adhesive method to attach the art to the mat is to simply attach a few strips of tape across the back of the art and matboard. Tape on the back of the artwork.
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